Articles

• Caught in the Cotton: The Interchangeability of Color in Hurston and Mitchell

  Kimberly Coleman

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• The Failure of Gender Performance and the Need for Political Organization in Kate Chopin's "The Awakening"

  Elana Friedman

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• Mimicking the Devil: Dimorphous Identities for Corporate Women

  Julia C. Meo

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• "Cullud Dancing" into the Western Literary Canon: "Their Eyes Were Watching God" as the African-American Female Translation of John Milton's "Paradise Lost"

  Dominique Joseph Monlezun Jr.

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• Watch Our Spirits Rise: The Story of New Orleans as It Relates to Race and Hurricane Katrina

  Sarah Passick

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• Pleasure to Burn: Violence as Madness in "Fahrenheit 451"

  Sarah Pinkerton

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• Another Part of The Story: The Reader Plays an Active Role in the Participatory Journalism of Ted Conover's "Newjack"

  Ilyssa Sheinbein

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• "Here We Are Again, All Messed Up And No Place To Go": The Continuing Relevance of "Bright Lights, Big City"

  Emily Siegel

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• Shrouded Shells: The Dead Women and Surprising Feminism of "Absalom, Absalom!"

  Anne Smazal

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• Colorblind vs. Technicolor: Interrogating the Kitchen Space in Kathryn Stockett's "The Help"

  Tracy Sweetbaum

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